Rising senior

My video editing workflows are built directly inside Final Cut Pro and CapCut, allowing me to bridge heavy desktop production with hyper-fast mobile execution. In Final Cut Pro, I leverage magnetic timeline efficiency and multi-cam syncing to cut raw, long-form footage—like Songwriting for Guitar podcast episodes—down into tight, high-retention clips, using precise J-cuts and L-cuts to keep the audio-visual pacing seamless. When a project demands an immediate turnaround, I shift to CapCut to execute polished, short-form edits straight from my phone in under an hour, utilizing its advanced keyframing, speed ramps, and automated captioning to build punchy, burned-in typography hooks. Whether I am combining these two platforms to compile and split-test raw creator assets for paid ad variations or pushing out native organic posts on the fly, my mastery of both systems ensures I maintain a highly organized, assembly-line content pipeline.

My experience creating social media content is built entirely around capturing authentic, fast-paced narratives and turning them into high-retention short-form video assets. I manage the entire production pipeline independently—from identifying key story arcs on the fly and batch-filming vertical video on my phone, to delivering polished, platform-native edits for TikTok, Instagram Reels, and YouTube in under an hour. Because I treat video editing as an engineering problem tied to retention, I focus heavily on front-loading strong hooks, building fast audio-visual pacing, and writing punchy, voice-accurate copy that cuts through traditional marketing fluff. Whether I am highlighting the technical side of a product, cutting dynamic podcast footage, or building a brand’s digital footprint, I treat the content like it is my own—relying on deep organizational workflows and AI tools to maintain a consistent, scalable posting schedule that converts passive viewers into an engaged community.